Friday, December 13, 2013

ALIEN QUADRILOGY (2003)

Alien Quadrilogy (2003)
Director(s): James Cameron
Ridley Scott
David Fincher
Jean-Pierre Jeunet
Movie rating: 8/10
DVD rating: 9/10
DVD Release Date: 12/02/2003
Running Time: 982 minutes
Rating: R
Disc Details

Distributor:
FOX

List Price: $0.98

Running Time: 982 minutes

Special Features:
-Widescreen anamorphic format
-Chapter selection
-9 disk fold out case
-All four theatrical versions of the "Alien" films
-"Alien" director's cut
-"Aliens" director's cut
-"Alien3" restored work print edition
-"Alien Resurection" extended version
-24-page collector's booklet

Alien (1979)
-Commentary by Ridley Scott, Dan O'Bannon, Ronald Shusett, Terry Rawlings Sigorney Waever, Tom Skerrit, Veronica Cartwright, Harry Dean Stanton and John Hurt
-Nine new documentaries
-Deleted scenes marker
-First Draft of Screenplay by Dan O'Bannon
-Ridleygrams (original thumbnails & notes)
-Storyboard archive
-The Art of Alien
-Sigourney Weaver's screen test with optional commentary by Ridley Scott
-Visual effects gallery
-A Multi-Angle Scene Study on the Chestburster sequence with optional commentary by Ridley Scott and the production team
Aliens (1986)
-Commentary by James Cameron, Michael Biehn, Jenette Goldstein, Carrie Henn, Christopher Henn, Lance Henriksen, Gale Anne Hurd, Pat McClung, Bill Paxton, Dennis Skotak, Robert Skotak and Stan Winston
-Deleted scene marker
-Nine new featurettes
-Original Treatment: by James Cameron
-Cast Portait gallery
-Production Gallery
-Continuity Polaroids
-Weapons and Vehicles gallery
-Stan Winston's Workshop Gallery
-Visual Effects Gallery
-Multi-angle videomatics with optional commentary by Miniature Effect Supervisor, Pat McClung
-Easter egg: A Boy and His Power Loader
Alien 3 (1992)
-Brand new commentary by Cinematographer Alex Thompson, Editor Terry Rawlings, VFX Designers Alec Gillis and Tom Woodruff Jr., Visual Effects Producer Richard Edlund, and actors Paul McGann and Lance Henriksen
-Nine new featurettes
-The Art of Aceron
-Production Gallery
-Furnace Construction
-ADI Workshop
-E.E.V. Scan Multi-Angle Vignette
-Visual Effects
-Storyboard archives
Alien Resurrection (1997)
-Brand new commentary by Director Jean Pierre Jeunet, Herve Schneid, Alec Gillis, Tom Woodruff Jr., Pitof, Sylvain Despretz, Ron Perlman, Dominique Pinon and Leland Orser
-An introduction by Director Jean Pierre Jeunet: extended cut only
-First Draft Screenplay by Joss Whedon
-11 new featurettes
-Test Footage
-ADI Effects
-Mark Carro Photo Gallery
-The Art of Resurrection
-Storyboards
-Pre-Visualizations multi-angle rehearsals
-Production gallery
-ADI Workshop
-ADI Test Footage
-Special Shoot promotional photo archive
-Easter egg: Alien extra
-Bonus disc
ALIEN:
-Featurette: Alien Legacy
-Featurette: Alien Evolution
-Featurette: Experience in Terror
-Ridley Scott Q&A
-Alien Laser Disc Archive
ALIENS:
-Aliens Laser Disc Archive
ALIEN 3:
-6 trailers, 7 TV spots
ALIEN RESURRECTION:
-Theatrical teaser, 2 theatrical trailers, 4 TV spots
-Bob Burns Alien Collection
-Dark Horse Still Gallery
-DVD-ROM (script to screen comparison)

Video Format:
Anamorphic Widescreen (2.35:1)

Language Tracks:
English (Dolby Digital 5.1)
English (DTS)
Spanish (Dolby Digital 2.0 Surround)

Subtitles:
English

Closed Captions:
Yes

Casing:
9-disc Fold-out Case

Film & Disc Review, Alien Quadrilogy
reviewed: 2003-12-02

The first film to terrify me was "It! The Terror From Beyond Space." I saw it when I was a preschooler. Simple plot. Take a crew of astronauts and stick them on a space ship with an alien creature that wants to kill them. Great premise.

Cut to 1979. I saw "Alien" in Phoenix after a day of floating down the Salt River Project. Too much sun resulted in sever burns on my legs. I had a fever and was shivering. At least I thing the shivers came from the sunburn. "Alien" took the premise of "It! The Terror From Beyond Space" and added great special effects, a smart script, wonderful cast and outstanding direction by Ridley Scott. It was love at first sight. In "Alien" the crew of the space tanker Nostromo is given orders to set down on a space rock to investigate a possible alien life form. The crew meets the alien and a franchise is born. Sigorney Weaver garners an Oscar nomination for her star-making turn as Ripley, the badest space babe to ever grace the screen.

Cut to 1986. This time I'm in my 1979 Camaro Z-28. My oldest daughter is two weeks old. She sits in the back seat as my first wife and I watch "Aliens" at a drive-in theater in Las Vegas. James Cameron did the impossible. He took my favorite sci-fi film and one-upped it! "This Time It's War" the ads proclaimed. "Aliens" became an instant classic. The perfect synthesis of the sci-fi/horror and war genres. Set 57 years after the original film, "Aliens" returns Ripley to the source of her greatest fear. The planet she landed on in the first film has been colonized. All communication with the colony has been cut off. Ripley is sent in with some very badass colonial marines. Let the games begin.

Time moves on. Cut to 1992. Once again I'm in Las Vegas. This time it is a vacation with the person I thought would become my second wife. Time out from the gambling tables to check out "Alien3." David Fincher's film is flawed, bleak and depressing. A major let down after "Aliens." I am angry that those who survived the second film are killed in the opening moments of the third. All save Ripley. Set on an outer space prison planet, "Alien3" was worth seeing more than once only for Charles Dutton's performance. While in college, I waited on Mr. Dutton at "Cafe Max" in Memphis. I told him that I had seen the movie three times. The second two viewings were to study his great performance.

Time passages. It is 1997. I'm with my the person who did become my second wife. The previews for "Alien Resurrection" looked cool. The fourth film revives the long dead Ripley. She is cloned as her body contains the beast from the 3rd film. While "Resurrection" isn't a great film, it is an improvement over the third. Except for the ending. A very bizarre ending indeed. The film does include a couple of classic sequences though. The underwater scene is one of the best in the entire series.

Thursday, December 4 of this year. I get home from day four of my murder trial (I'm the lawyer, not the defendant). I find the Alien Quadrilogy sitting on the kitchen table. Excited as I am, I don't even open it. Must finish the trial. Saturday morning the jury returns the verdict. (I win.) 14 hours of sleep later, I tear into the long-awaited DVD. I have seen the director's cuts of the first two films. I want to see David Fincher's work print of "Alien3." I am amazed to discover a vastly superior film to the one released in theaters. Fincher's work print contains entire sub-plots and sequences removed from the theatrical print. I can't imagine why FOX took the film away from him and released the mess they did. To my regret, the DVD doesn't shed any light on the matter. There is no commentary track by Fincher. I then turn to "Resurrection." Director Jeunet was happy with his print. He reluctantly agreed to have an alternate ending and beginning and a couple of other deleted scenes put in for the DVD set. The alternate ending is nice if only because if pictures Paris in a state of utter destruction. The alternate beginning belongs in "Space Balls" rather than in this series. I see why the director was happy with his print.

The Disc
An amazing DVD set. Excellent picture, sound and extras. The movies vary in quality. The first two are classics, while the 3rd and 4th are flawed. However, the work print version of the third film is a real treasure. The only thing missing from this collection is a commentary track by David Fincher.

Picture Quality: 10/10
FOX did an excellent job of restoring all four movies. The same goes for the special editions. The deleted footage was restored and color matched with the theatrical footage. The new scenes are seemlessly intercut with the previously released footage. For the work print of "Alien3," FOX used CGI technology to create the alien effects that were not done originally. Some of the CGI effects are not as good as it would have been had the effects been done originally, but I'm happy for the technology. This allows us to see what might have been had Mr. Fincher not had the movie taken away from him. Like I said before and will say again: Fincher's work print is the real treasure of this collection. Excellent, well-saturated colors. No delineation problems. Artifacts are nowhere to be found. Sharp image all the way to the edges. I didn't notice any shimmering.

Sound Quality: 9/10
The sound is as good as it could be. The only reason the sound doesn't rate a 10 is because FOX didn't restore the soundtrack for the deleted footage on Fincher's work print. In a couple of scenes it is very hard to hear. To FOX's credit, they are up front about the problems with the soundtrack and provide subtitles during those scenes. Otherwise the sound is rich and nicely balanced. Excellent use of the surround sound feature. Jerry Goldsmith's wonderful score never sounded better. Well, maybe when it was played live!

Easter Eggs:
According to Amazon.com there are two Easter Eggs. I found one. Please let me know where the other one is. I looked and looked. On Disk Four there is an Egg that leads to "A Boy and His Power Loader." This is an interview with Vin Ling, the film student who built a working model of a power loader on a dare and ended up working for James Cameron. It is the kind of story that gives hope to nerds everywhere hoping to break into the business.

Amazon.com claims there is an Easter Egg on one of the two "Alien Resurrection" disks entitled "Alien Extra." Please let me know if you find it so I can update this review!

Extra Features: 10/10
There are so many extras that it would take unlimited bandwidth to cover them all. There are more documentaries and featurettes on this DVD than on any other boxed set I've ever seen. They threw in everything but the kitchen sink and a David Fincher commentary track.

There are two disks devoted to each film. The first disk includes the theatrical and extended versions of the particular film with commentary tracks for each version. The second disk contains documentaries, photo galleries and full screenplays for the movies. The disk is divided into Pre-Production, Production and Post Production phases. There is a navigation choice on the supplement disk that allows you to view all of the documentaries without stopping, to view all of the photo galleries and to view all of the art galleries. Suffice to say, everything you ever wanted to know about the "Alien" series can be found in this set. (Except for a David Fincher commentary!)

The commentary tracks are great. Each version of the films includes a track. (I won't say it, but I'm thinking it!)

The 9th disk contains all of the supplemental materials for past editions and from the Laser Disk editions. It also includes all of the Theatrical trailers and TV spots for each film.

FOX has given us everything old and powered it up with a whole lot of new!

The Final Word:

By far the best DVD set this year. Maybe of any year. If you are like EI's Stephen Wong and hate the 4th film, you will still want this DVD. A steal at twice the price. The work print of "Alien3" is a real find. You stick this in your honey's stocking and there will be no doubt that you love them.

SUNRISE: LIMITED EDITION (1927)

Sunrise: Limited Edition (1927)
Movie rating: 10/10
DVD rating: 10/10
Release Date: Limited availablity
Running Time: 1 hour 35 minutes
Rating: NR
Distributor: Fox
List Price: Free with purchase of 3 'Studio Classics' DVDs from FOX
Disc Details
Special Features: Full frame format
Chapter selection
Commentary track by cinematographer John Bailey
Outtakes with commentary by John Bailey
Outtakes with text cards
Theatrical trailer
Photo gallery
Original scenario by Carl Mayer with annotations by F.W. Murnau
Screenplay
Restoration notes
F.W. Murnau's lost film "The Four Devils"
"The Four Devils" treatment
"The Four Devils" screenplay
Original Movietone soundtrack
Alternate Olympic Chamber Orchestra score
Video Format: Full Frame (1.20:1)
[SS-DL]
Languages: English (Dolby Digital 2.0) mono
English (Dolby Digital 2.0) stereo

Subtitles: French, Spanish.
Captions: No
Casing: 1-Disc Keep Case

Review
You might be surprised to discover that two films received Best Picture Oscars at the very first Academy Awards. "Wings" usually comes to mind when you think of the first Best Picture winner. There were two Best Picture categories at the first Oscar ceremony: Best Picture: Production and Best Picture: Artistic and Unique Production. F.W. Murnau's poetic "Sunrise" was the first and only recipient of the Best Picture: Artistic and Unique Production Oscar.

F.W. Murnau is best know to film fans for "Nosferatu," his unauthorized version of Bram Stoker's novel "Dracula." Five years later, Murnau filmed a simple story, which remains one of the best movies of all time. There can be little argument that "Sunrise" is composed of photography that remains innovative even by today's standards.

The title card for "Sunrise" includes the subtitle "A Song of Two Humans." The film tells the tale of a young farm couple torn apart by "the woman from the city." The characters aren't named in the film. They are called 'The Man,'(George O'Brien) 'The Wife'(the first Best Actress Oscar winner Janet Gaynor) and 'The Woman from the City' (Margaret Livingston). The Woman from the City goes on vacation at a small rural town. While there, she ensnarls The Man with her sensual charms. She pleads with him to sell the farm and move with her to the city. "What about my wife?" the Man asks. "Couldn't she get drowned?" replied his lover.

The Man takes his wife for a trip to the city. He rows her across the huge lake toward the city. Will the Man kill his Wife and run off with the Woman from the City? This simple story is secondary to the incredible visual imagery of "Sunrise."

I first read about "Sunrise" over thirty years ago. My desire to see Murnau's classic was further enhanced when I saw the great

documentary about cinematography "Visions of Light." Several wonderful scenes from "Sunrise" are analyzed in that great film. Thanks to FOX, I finally got to see this classic. I can't recommend this DVD any higher. If you are a student of cinematography and direction, "Sunrise" is a must have DVD. "Sunrise" also won the first Best Cinematography Oscar. Cinematographers Charles Rosher and Karl Struss shared the awards. "Sunrise" includes one of the longest dolly shots in the history of film. The movie also includes numerous process shots, all done in-camera as the optical printer had yet to be invented. The film is an artistic masterpiece. Murnau's film is heavily influenced by the German Impressionistic movement. "Sunrise" is considered to be one of the five best silent films ever made. It was entered in the National Film Registry in 1989.

The Disc
Great movie, picture, sound and extras. An amzing DVD.

Picture Quality: 10/10
The original nitrate negative of "Sunrise" was destroyed by fire in 1937. In 1936,the Museum of Modern Art made a diacetate print of "Sunrise." A new negative was made from this print. The digital transfer was made from this negative. There are some artifacts present, but they are minimal. There was no pixilation apparent. The delineation between the grayscales is outstanding. Excellent detail. The movie includes so many outstanding shots that it is hard to believe the movie is 76 years old. "Sunrise" was photographed using cameras with electric motors. This eliminated the jerky, hand-cranked visuals usually associated with silent films.

Sound Quality: 10/10
There are two different soundtracks. The movie was originally released with a Movietone soundtrack. Movietone soundtracks included both the picture and soundtrack on the same strip of film. This innovation differed from earlier silent films in which the musical track came on a phonograph record.

I like the original track better. I think it fits the film in subtle ways. The new soundtrack was recorded when the filk was restored.

Both soundtracks are full and rich. The stereo track makes better use of the surround sound features of your home theater system, but the mono track is still preferable. Nice balance between the ranges.

Menu: 10/10
Beautiful menu reminiscent of old silent film title cards. Easy to navigate. That is an accomplishment considering the amount of material present on this DVD. No Easter Eggs found.

Extra Features: 10/10
ASC Cinematographer John Bailey's (The Big Chill, As Good As It Gets and nearly 50 other films) commentary track is the best commentary track I have ever heard. This DVD is like a college course. Mr. Bailey takes you through all the nuances of the film's photography, lighting, direction, editing, special effects, production design and history. This is what a commentary track should be. Bailey's commentary track was more informative than some of my film professors in college. Mr. Bailey also provides commentary on the 30-minutes of outtakes. The outtakes weren't restored, so you get some idea of how wonderful and important the art of restoration is. The outtakes include several of Murnau's lengthy tracking shots, which were cut into scenes in the final film.

The scenario by Carl Mayer is a shooting script which, includes camera angle annotations by director Murnau. The entire screenplay is also included. The screenplay is on the disk proper, not a DVD-ROM feature.

Murnau died in a car accident at age 42. He made three films after "Sunrise." His follow-up was called "The Four Devils." That film starred Janet Gaynor. It was similar in theme to "Sunrise." The film was lost. The DVD includes an hour-long reflection of what the film might have been. Using studio stills, promotional material and the original script, FOX produced this version which should please silent film buffs. The recreation is narrated. Also included are the treatment and script for "The Four Devils."

The Final Word:
FOX is releasing one of the most incredible DVD series this year. The "Studio Classics" collection includes a multitude of Oscar winning films from FOX. "Sunrise" will be available in limited quantities free with the purchase of any three of FOX's "Studio Classics." Do not miss this opportunity to get this limited edition DVD. It is an important addition to any DVD collection. More than a must have.

Wednesday, December 11, 2013

OBLONG BOX/SCREAM AND SCREAM AGAIN

The Oblong Box / Scream and Scream Again (1969)
Movie rating: 8/10
DVD rating: 9/10
Release Date: August 27, 2002
Running Time: 3 hours 12 minutes
Rating: PG
Distributor: MGM
List Price: $14.95
Disc Details
Special Features: DVD Double Feature!
Widescreen format.
Chapter selection.
Theatrical trailer for both movies.
Video Format: Anamorphic Widescreen (1.85:1)
[DS-RSDL]
Languages: English (Dolby Digital)mono

Subtitles: English, Spanish, French.
Captions: Yes
Casing: 1-Disc Keep Case

Review
On August 27, 2002, MGM will release several Double Feature DVDs. These DVDs will feature some of the best (and one stinker!) horror films from the 60s and 70s. This is one of the best of the series. Both of these films were directed by Gordon Hessler and star Vincent Price and Christopher Lee.

THE OBLONG BOX: 1 hour 37 minutes

This movie was to be the fourth directorial effort of Michael Reeves (The Witchfinder General. Reeves was one of the most promising British horror film directors of the era. Unfortunately, Michael Reeves killed himself during pre-production. Gordon Hessler took over direction and produced an excellent period shocker.

Sir Edward Markham (Alister Williamson), is captured by a tribe on his African plantation. He is nailed to a tree by the witch-doctor and disfigured in a revenge ritual. Sir Julian Markham (Vincent Price) rushes to the scene, but is to late to save his brother. Cut to Julian's English estate.

Julian keeps Edward locked in an attic bedroom. Edward's mind has been twisted by the undeserved fate which befell him. Attorney Samuel Trench (Peter Arne) is working on a plot to free Edward and cure him. Trench has hired a rival witch doctor to drug Sir Edward so Julian will think he is dead. Then all he has to do is steal the body, have the witch doctor revive him and reverse the disfiguring curse. The best laid plans of mice and men.... Sir Edward ends up being buried alive.

Fortunately for Sir Edward, local Doctor Nuehart (Christopher Lee) needs fresh corpses to perform medical experiments. A couple of Burke and Hares dig up Sir Edward. The rest is for you to discover.

"The Oblong Box" purports to be based on Edgar Allan Poe's "The Premature Burial." Phil Hardy's excellent reference book "The Overlook Encyclopedia of Horror Films" states that the movie is closer to the works of H.P. Lovecraft. I agree. The horror is largely implied. Sir Edward's disfigured face isn't revealed until the end of the movie. Sir Edward's acts of revenge are brutal and rapid. They seem more savage due to the killer's refined speech and manners when he isn't killing those who ruined his life. Director Hessler quickly followed this film with an interesting mix of horror and science fiction called...

SCREAM AND SCREAM AGAIN 1 hour 35 minutes

The flip side of the DVD features the only screen paring of horror kings Vincent Price, Christopher Lee and Peter Cushing. Peter Cushing's role is just a one-scene cameo though. Cushing never actually shares the screen with either Price or Lee in this film. In one of the great film goofs, actor Marshall Jones is identified as "Peter Cushing" in the film's trailer!

"Scream and Scream Again" is a disconcerting movie experience. The film jumps from location to location with little sense of continuity. At first we see a jogger collapse with chest pain. Next we are in the political headquarters of a communist country. Next we are viewing the police inspection of a sex crime in England. We return to the jogger, only to find him waking up in a bed with a leg missing. We watch him shrink more and more as the film goes on. Director Hessler ties all of the various threads together in what could be called "1984" meets "Dracula" meets "Frankenstein" meets "The Rise and Fall of the Third Reich." The less said about this film's plot, the better. All the better for you the viewer as "Scream and Scream Again" is a fresh and unique film.

Police Inspector Bellaver (Alfred Marks) is investigating a series of sex crimes in which the female victims have been drained of blood. The latest victim worked at a secluded medical lab run by Dr. Browning (Vincent Price).

Keith (Michael Gothard) is a lanky Mod, enjoying London in the swinging 60s. Lots of beautiful young women to seduce and kill. The police finally locate Keith by using an undercover police woman. There is a very exciting, extended car chase, as Bellevar and his men close in on Keith. Possessed with super human strength, Keith kills one office and runs up the side of a rock face as if he were a spider. Near the top, he slips. While Keith is stunned, the police cuff him to a patrol car. When Keith awakes, he rips his own hand off to escape. The chase continues straight to the many secrets this movie hold for you.

According to Phil Hardy's "Overlook Encyclopedia of Horror Films," this movie was highly praised by German director Fritz Lang. There are similar themes between "Scream and Scream Again" and Lang's classic silent film "Metropolis." This film doesn't rise to the level of Lang's masterpiece, but it is a very effective mix of horror and science fiction.

Alfred Marks is great as the top cop on the case. He barks orders and shows contempt for stupidity with the best of the screen tough guys. Vincent Price and Christopher Lee are rock solid as the mad doctor and the head of British intelligence respectively. The beautiful Yutte Stensgaard (Lust For a Vampire) makes a short and fully clothed cameo as a victim of the communist torture chambers. As an American viewer, I found the car chase to be very scary because the British roads are set up in reverse of American ones. I felt that everyone would be killed because they were all driving on the wrong side of the road!

The Disc
Great movies. Great picture. Good sound. So-so extras, but you can't beat the price! Two movies for $14.95!

Picture Quality: 8/10
THE OBLONG BOX

John Coquillon's beautiful photography perfectly captures the old English atmosphere. There are no delineation problems during the film's many dark scenes. The colors are vivid and bright. The only problem with such vivid colors is the fake looking blood. I noticed a couple of artifacts. Excellent flesh tones.

SCREAM AND SCREAM AGAIN

John Coquillon's camerawork on this film isn't as lush. The film has an oporessive look in keeping with it's theme. This is deliberate on the filmmakers part. Both movies have been remastered. If you compare the movie with the trailer that is included, you will see how much better the remastered picture is than the original source material. Again, there were a few artifacts. There was some delineation problems during a murder scene which takes place in a dark tunnel. All in all, the picture is very good. The flat colors set the tone for the film's totalitarian themes.

Sound Quality: 7/10
Both movies are in Dolby Digital mono. The soundtrack of "The Oblong Box" was fresher. There was less of a need for fancy stereo sound. "Scream and Scream Again" was set in modern times. The music borders on unbearable. There are several scenes which take place in a disco. The music by "The Amen Corner" is some of the worst in film history. I don't know if 5.1 surround sound would help. There is no distortion and all of the dialogue is easily heard. Nice balance between dialogue and music.

Menu: 6/10
OK design. Nothing special. Very easy to navigate.

Extra Features: 2/10
All you get are trailers for the movies. That's OK when you consider that you are getting a couple of great horror films for about $7.50 each.

The Final Word:
Horror fans should rejoice at this DVD. Two great movies from the golden age of horror for less than $15.00!

JD'S REVENGE (1976)

J.D.'s Revenge (1976)
Movie rating: 6/10
DVD rating: 6/10
Release Date: December 26, 2001
Running Time: 1 hour 36 minutes
Rating: R
Distributor: MGM Home Entertainment
List Price: $14.95
Disc Details
Special Features:  Widescreen and Standard format. Theatrical trailer. Chapter selection. Closed captioned.
Video Format: Anamorphic Widescreen (1.85:1)
[DS-SL]
Languages: English (Dolby Digital ) Mono
French (Dolby Digital ) Mono

Captions: French, Spanish.
English closed captioned.

Sides: 1-Disc Keep Case

Review
Arthur Marks's 1976 Blaxploitation horror movie "JD's Revenge" is a fairly well-done story of revenge from beyond the grave. The MGM DVD has been released as part of their "Soul Classics" series. Glynn Turman (How Stella Got Her Groove Back) stars as Ike Hendrix, a young man working his way through Law School by driving a cab in New Orleans.

In a prologue set in 1942, JD Walker (David McKnight) comes upon Theotis (Fred Pinkard) arguing with JD's sister, Betty Jo (Alice Jubert). Theotis kills Betty Jo when she threatens to tell Theotis' brother Bliss, (Lou Gossett Jr.) that the baby she had belongs to Theotis and not Bliss. JD rushes to Betty Jo's fallen body after Theotis runs away. Bliss comes up right after him. Seeing JD with his sister's blood on his hands, Bliss yells "murderer!" JD is shot and dies. AD and his sister are interred in side-by-side crypts.

Flash forward 30 years. Ike is living with Christella (Joan Pringle), a beautiful divorcee. They help their friends Tony (Carl Crudup) and Phyllis (Stephanie Faulkner) celebrate an anniversary with a night out on the French Quarter. Ike takes part in a cabaret hypnotist's act. During his trance, JD's spirit enters Ike's body. Ike finds that he suffers from recurrent headaches and nightmares in which he witnesses JD's death. His relationship with Christella suffers as JD takes over his body as they have sex. Christella is scarred by Ike's sudden change. Ike becomes abusive to the point that he beats and rapes Christella. JD's possession of Ike takes on external forms as Ike changes his hairstyle from the 70s era afro to a 40s era perm. He also takes to dressing in 40s retro gangster clothing and talking in JD's gangster slang. Christella’s ex-husband, a cop goes after Ike. Ike meanwhile has discovered the location of Bliss and Theotis. Bliss is now a fire and brimstone preacher who wows his congregation with his frantic delivery. Ike meets Bliss’s daughter, Roberta (Alice Jubert in a dual role), and sets his incestuous sites on her. Ike has now become fully possessed by JD and there will be hell to pay. I'll go no further for those of you who haven't seen the movie. Trivia note, look fast for USA Network’s buxom "Up All Night" girl Rhonda Shear as a little girl.

I never really liked the term "Blaxploitation." It seemed as if Hollywood and the media were dragging their feet on the civil rights issue by calling the flood of movies released in the early and mid-70s aimed at Black audiences. While there were films released of the era which would qualify as exploitation films, they were in the minority. I think the term coined reflected the reluctance of mainstream Hollywood to accept the changes wrought by Dr. King and others. The term "Blaxploitation" was a stigma. It was almost like the media and Hollywood were saying that these aren’t real movies because Blacks are not real Americans. It backfired on Hollywood as many excellent actors and directors of color came to the forefront during this time. Many of these so-called inferior exploitation movies were actually solid pieces of film making and storytelling. I was happy that MGM labeled their recently released series of these films as "Soul Classics." Enough editorializing.

I wish I could say the acting by Mr. Turman in "JD's Revenge" was above average, because the story is pretty good for this type of horror film. Unfortunately, Mr. Turman's performance has a little to much "Stephen Fetchet/yassa" in it. It doesn't sink the movie, but it could have. The movie succeeds due to the script, direction and the other actors. I never once believed that Mr. Turman was a law student. I didn't see how he could have had such a cool girl friend. With a better performance or a different actor in the lead role, "JD's Revenge" could have been an above average horror movie instead of just a good one. Lou Gossett is good as Bliss, the object of JD's wrath.

Other than Turman's weak performance as Ike, my only other object to the film is the script's condoning domestic violence. After Ike beats up Christella, his friend Tony tries to comfort the confused Ike by telling him that what he did was a good thing. "A woman want's you to show her where the lines are. They like this kind of stuff." This attitude is reinforced by Christella's reaction, when she continues to love Ike even after he brutalizes her during sex, and later beats her and even later beats and rapes her. I guess it was supposed to be OK because Ike was possessed at the time. The bottom line is that Christella didn't know Ike was possessed. Oh well, it's only a movie.

The Disc
The movie is not bad. The transfer is good, picture-wise. The sound is OK. No extras to speak of. For fans of the 70s the DVD will mean more.

Picture Quality: 8/10
The trailer was not restored. If you compare the trailer with the movie itself you will see a world of difference. The picture is very good. The film was lit in a harsh manner popular at the time, so there are no shadows to worry about. I didn't notice any artifacts.

Sound Quality: 6/10
The mono sound is just what you would expect, monotonous. The movie doesn't rely on sound effects or special effects very much, so it's not like you are really missing anything by having a mono soundtrack. There really isn't even a good score ALA "Shaft" or "Superfly" to be hurt by the mono sound.

Menu: 7/10
Easy to navigate, gets the job done. Appropriate for the DVD.

Extra Features: 2/10
No extras except a trailer which is only good for comparison purposes. (See picture quality above).

The Final Word:
I never thought I would use the term 'vanilla DVD' to describe a "Soul Classics" release, but this DVD is as vanilla as they come. However, MGM's price reflects this.

CURSE OF THE DEMON/NIGHT OF THE DEMON

Curse of the Demon / Night of the Demon (1957)
Movie rating: 9/10
DVD rating: 7/10
Release Date: August 13, 2002
Running Time: 1 hour 35 minutes (Curse)
1 hour 22 minutes (Night)
Rating: NR
Distributor: Columbia Tristar
List Price: $24.95
Disc Details
Special Features:  Widescreen anamorphic format.
CHapter selection.
Theatrical trailer for other films.
"Night of the Demon," the 95-minute uncut U.K. release.
"Curse of the Demon," the retitled and truncated 82-minute U.S. release.
Video Format: Anamorphic Widescreen (1.66:1)
[SS-SL]
Languages: English (Dolby Digital 2.0 Stereo)
Subtitles: English, French, Japanese.
Captions: Yes
Casing: 1-Disc Keep Case

Review
Director Jacques Tourneur was a protege of famed horror producer Val Lewton. Tourneur was on of many directors who learned to frighten audiences under the guidance of Val Lewton. Lewton was one of the rare producers to have his name above the title. Lewton's films scared their audiences by implication rather than on screen shocks. Tourneur took his talents to England in 1957 and directed one of the most atmospheric and frightening occult films ever made. While purists will argue over the appearance of the demon of the title, all agree that the rest of this film is a classic of the horror genre.

English psychologist Dr. Harrington (Maurice Denhem) leads an investigation and exposé into the practices of local cult leader Dr. Karswell (Niall MacGinnis). Harrington drives through the night to confront Karswell. "Call it off Karswell" Harrington pleads. Harrington now believes. His faith comes too late. Karswell sends the doomed man away. At the stroke of 10 PM a demon manifests from the woods outside Harrington's home. Harrington is ripped to pieces.

Dr. John Holden (Dana Andrews) is an American psychologist. He is flying to London to meet with Harrington and help in the expose of what he thinks is a charlatan. Holden discovers when he arrives that Harrington is dead. Holden decides to carry on Harrington's work. Karswell meets the skeptical scientist and tries to dissuade Holden from his investigation. Holden persists and Karswell passes a parchment with Runic symbols on it. Holden will die at 10 PM three days hence.

What follows is Holden's investigation into Karswell's practices. Will Holden also come to believe in Karswell's power? Will it be too late for Holden also? I'll leave it for you to discover.

Released in 1957 "Night of the Demon" was very well received. The next year, a cut version of the movie was released in America under the title "Curse of the Demon." The American version is 13 minutes shorted than the original British release. Sony Picture Classics had the original film restored and now offers both versions on a single DVD.

"Demon" benefits greatly from a sharp and sarcastic script by Charles Bennett and producer Hal Chester. Dana Andrews's character is full of wry witticisms. They come fast and furious the more be comes to believe in the powers of the occult.

Director Tourneur was a master of black and white movie making. His "Out of the Past" is considered by many (myself included) to be the best example of "Film Noir" ever made. Tourneur uses light and shadows to build a creepy atmosphere. There are several scenes that will have your heart racing. The movie is best watched at night with the lights out. I interviewed horror film director Curtis Harrington some time ago. He felt that the appearance of the "Demon" at the end of the movie wrecked the film. Tourneur was forced to show the demon by producers who had less faith in the power of implied terror. This was the age of big movie monsters afterall. I like the monster. It has a terrifying design. I also agree that the movie would have worked just as well without the beast. Either way, "Night of the Demon" is a creepy classic worthy of a place in any horror film fan's library.

Both the uncut and cut versions of the film work. I'm glad that the original has been restored as that was what the filmmaker wanted his audience to see. The movie is one of the best cerebral fright films ever made.

The Disc
Great movie, picture and sound. No extras to speak of.

Picture Quality: 10/10
This restored masterpiece should be watched with the sound off just to appreciate the art of Jacques Tourneur. Sony did a magnificent job restoring the film. There are no artifacts or shimmering. The grayscale is excellent. During the children's party scene, Karswell conjures up a windstorm to convince Holden. You can almost see the different colors of the leaves as they swill around the terrified partygoers. No delineation problems. This is great as you may enjoy the textured shadows in which evil lurks.

Sound Quality: 10/10
Great stereo sound! The remastered sound adds greatly to the tension of this film. Odd sounds come from both sides of the room as spooks and demons play with your imagination. The finale in the train station is a standout as train whistles, screams and the demon all converge at the same time to chill your blood.

Menu: 5/10
Fare design using colorized artwork from the film. Easy to navigate.

Extra Features: 2/10
No extras unless you include the trailers for "Fright Night" and "The Bride." I guess the extra on this disk is the fact that it includes two movies.

The Final Word:
A must have for horror film and film noir fans. One of the best British horror films of the last century has been finally restored. A bit expensive, but horror film fans won't mind the price.

NEAR DARK (1987)

Near Dark (1987)
Movie rating: 10/10
DVD rating: 8/10
Release Date: September 10, 2002
Running Time: 1 hour 34 minutes
Rating: R
Distributor: Anchor Bay
List Price: $29.98
Disc Details
Special Features: Widescreen anamorphic format
Chapter selection
Director commentary by Kathryn Bigelow
"Living in Darkness" New 47-minute documentary
Deleted scene with commentary by director
Two theatrical trailers
Original Storyboards
Poster and Still gallery
Behind the scenes gallery
Talent bios
DVD-ROM features:
Original screenplay
Screensavers
Fold-out collector's case
Collector's booklet
THX optimizer
Video Format: Anamorphic Widescreen (1.85:1)
[SS-SL]
Languages: English (Dolby Digital 5.1)
English DTS
English (Dolby Digital 2.0)Surround

Subtitles: None.
Captions: Yes
Casing: 2-Disc Keep Case

Review
"Near Dark" is the best vampire film ever made. That is tall talk for a two-eyed fat man, but I stand by the assessment. Kathryn Bigelow's 1987 film is the perfect melding of the Western and Horror genres. Ms. Bigelow removed her undead characters from the familiar gothic world in which they usually lurk, and created an original work that scares and exhilarates the audience in equal doses.
Caleb (Adrian Pasdar) is a young cowboy in town for another Saturday night with the guys. He spies a new girl leaving the local ice-cream shop. Mae (Jenny Wright) is a sweet, sexy, apple-pie looking beauty. Before you can say "howdy mam!" the two are off into the night in Caleb's pickup truck. Caleb says he has never met a girl like Mae before. The sweet young thing tells him, "No, you've never met a girl like me before!" Caleb does his best "awe shucks" routine, to get a kiss from Mae. Normally Mae would have no trouble kissing a guy, or ripping out his throat for that matter, but Mae actually likes Caleb. Instead, she gives him a kiss and a small nip on the throat.

Mae jumps from Caleb's truck and runs off. It is getting close to dawn. She jumps into a large Winnebago. Caleb heads home. Before he gets there he notices that he doesn't feel to good. Soon he his staggering down the road. The Winnebago appears again, and Caleb is pulled aboard by an arm covered in a blanket. Caleb has just been adopted by Mae's family. A family that slays together, stays together. The father figure is Jesse (Lance Henriksen), a Civil War navy veteran, the Mother figure is Diamondback (Jeanette Goldstein), a bleach blonde woman who once stopped to give Jesse a ride, there is big brother Severin (Bill Paxton), a wild west cowboy who likes to dress like Jim Morrison, and little Homer (Joshua Miller), a 50 year-old trapped in the body of a 12 year-old body. Caleb is on his way to becoming a vampire.

"Near Dark" follows this vagabond band of living dead as the hunt and feed. Caleb has one week to join their ranks or die. Caleb has a problem with killing, even though he does love Mae.

"Near Dark" works on so many levels. Ms. Bigelow's direction is lean and rich at the same time. She moves the story along at a brisk pace, but also takes time to develop the characters. I dare you to find another B-Movies with such full-blooded characters. The film has several set pieces, which look as if they were directed by an experienced action director. The vampire family battle slaughters the inhabitants of a redneck bar. Ms. Bigelow stretches out the sequence for maximum suspense. In juxtaposition to this deliberately paced sequence, the motel shoot-out sequence rivals John Woo's work for pure evisceral, fast-paced action.

The cast is perfect. Henricksen, Goldstein and Paxton reunited after "Aliens" to for the core of the undead family. The sexy and mysterious Jenny Wright and Joshua Miller, son of the late Jason Miller (The Exorcist) round out the happy home.

In addition to the great cast and script, "Near Dark" boasts some very original special effects. You have never seen a vampire react to sunlight as happens in this film! The character's skin blackens and begins to smoke until they totally combust and explode. John Carpenter stole the effect for "John Carpenter's Vampires," but Ms. Bigelow did it first and better in "Near Dark." I don't care if you don't like horror films, "Near Dark" will appeal to anyone who likes well done movies. "Near Dark" is Near Perfect!

The Disc
Great movie, picture and sound. Good extras. Great price.

Picture Quality: 10/10
I'm relieved to find that the picture is outstanding. 95% of this movie takes place at night. Needless to say, the opportunity for delineation problems was great. Anchor Bay took great pains with the digital transfer. The picture is clear. The blacks are some of the best you will see. Great use of shadows. The shots of Jesse standing underneath a slow-moving ceiling fan during the bar slaughter are spectacular in its composition and execution. This picture is everything the new picture on the new "Pulp Fiction" DVD isn't! A great film has been given the treatment it deserves!

Sound Quality: 10/10
Wonderful sound. Both the DTS and 5.1 tracks are excellent. The DTS is the better of the two. The redneck-bar slaughter and the motel shootout both illustrate how great the soundtrack is. During the bar scene, there is great balance between the high and low ranges. The 80s anthem "Naughty Naughty" rocks and billiard balls clack amidst the screaming, shooting and stabbing. The low ranges reign during the motel shootout. There are numerous types of firearms used during the shootout. Each distinct type of bullet resonates with its own rich sound.

Menu: 7/10
The menu is easy to navigate. The design is kind of lame. It is composed of interactive scenes from the film that dissolve into each other. There is a greenish tint that detracts from the images. My usual complaint about Anchor Bay not having pictures on the chapter selection menu.

Extra Features: 8/10
Anchor Bay excels at talent bios. There are lengthy text bios of the director and cast. Nice galleries. The two trailers are visually the same. One uses the song "Naughty, Naughty" for the soundtrack, while the second has voice-over narration and dialogue from the movie.

Kathryn Bigelow's commentary track is a bit of a disappointment. I was reminded of William Friedkin's lame commentary track on "The Exorcist: The Version You've Never Seen" DVD. She talks sparingly. When she does, most of it is devoted to telling you what happens on screen. She does give some background info now and again. Someone should give these Hollywood folks lessons on how to do a commentary track. Or maybe listen to the late John Frankenheimer's commentary track on the "Ronin" DVD to see how it is done.

The "Living in Darkness" documentary is pretty good. I enjoyed the interview with Lance Henriksen. He talks about how he drove across country in character, picking up hitchhikers...scaring the hell out of them! Nice interviews with the cast, DP Greenberg and producer Steven Jaffe . Ms. Bigelow is much more animated during the interview than on commentary track.

The deleted scene is nothing special. It is a black and white scene of Adrian Pasdar and Jenny Wright in the desert. It was going to be done in ultra violet to show how vampires see at night.

The Final Word:
My mouth has been watering in anticipation over the release of this DVD. My hunger was quenched."Near Dark" is a must have DVD. Once again, Anchor Bay proves why they are the best in the business!

DRACULA: THE DARK PRINCE (2000)

Dracula - The Dark Prince (2000)
Movie rating: 7/10
DVD rating: 7/10
Release Date: April 23, 2002
Running Time: 1 hour 29 minutes
Rating: R
Distributor: Artisan
List Price: $24.98
Disc Details
Special Features:  Full frame format.
Chapter selection.
Director and cast filmographies.
Photo gallery.
Trailer.
Sneak peeks.
Digitally mastered.
Video Format: Full Frame (1.33:1)
[SS-DL]
Languages: English (Dolby Digital 5.1)
English (Dolby Digital 2.0)

Subtitles: English, Spanish.
Captions: Yes
Casing: 1-Disc Keep Case

Review
"Dracula-The Dark Prince" purports to be the true story of Vlad Tepes, the Romanian ruler who is the basis for the legend of Count Dracula. I'm not enough of an expert of Vlad the Impaler to know if the story is completely factual, but I've read enough to recognize that the filmmakers did their homework on the grizzly warrior. Much to my surprise, "Dracula-The Dark Prince" is a surprisingly good film.

The story is told in flashbacks. Vlad Dracula (Rudolf Martin) is the crown Prince of Rumania. He has been called before a counsel of orthodox priests lead by Father Stefan (Peter Weller). The counsel is considering excommunicating Vlad because his war against the Turks is financed by the Pope. Vlad recounts his bloody life before the counsel. For his entire life, his homeland has been under siege by the Turks. Vlad and his brother Radu (Michael Sutton) were kidnapped by the pedophile Turk Sultan as boys. Radu became a sex slave of the abusive Turk. Vlad eventually was released. While the boys were prisoners, their father (Dan Badarau) was murdered by Romanian nobles bent on saving their wealth by appeasing the Turk Sultan.

The adult Vlad remembers that his father said he should go to King Janos (Roger Daltry) of Hungary if there is ever trouble. Vlad appeals to the king to finance his quest to retake the throne from the Sultan's puppets. While at the Court of King Janos, Vlad meets and falls in love with Lidia (Jane March: The Color of Night), the daughter of Romanian noble who also hates the Turks. Vlad returns to Romania and begins a long bloody campaign to free his country. Vlad's father warned him about the nobles. "Greed is more powerful than loyalty" his father said. Vlad finds a more powerful means of generating loyalty: fear. Thus Vlad the Impaler is born. Nobles are captured and slowly impaled in long wooden stakes. Their bodies left in the sun to rot as a warning to others who might betray Romania, and to strike fear into the hearts of the Turks. I'll stop here as far as the story is concerned.

"Dracula-The Dark Prince" is made up of a fine cast of mostly Hungarian actors. The production design is excellent. Filmed on location in Hungary, "Dracula-The Dark Prince" is high on period atmosphere. The acting is quite good. Rudolf Martin is excellent as the troubled ruler who commits the most atrocious acts in the name of patriotism. All he does, he does for the people of Romania. Jane March, so terrible in "The Color of Night" turns in a very good performance as Vlad's lovely, but ignorant wife. Once she discovers the true nature of her husband's tactics, Lidia becomes a different creature. Ms. March pulls the difficult role off quite well. Roger Daltry seems a bit out of place with his British accent. In a cast filled with Hungarian and Romanian accents, Daltry's English accent is as out of place as Keanu Reeve's was in "Bram Stoker's Dracula." Peter Weller is effectively sinister as Father Stefan.

The movie makes a nice swerve from the realm of historical fact into the world of vampire legend during the last 5 minutes. I was bothered by this at first, but upon reflection thought that it was a nice twist. While not as original as the ending of "Dracula 200" in which the Count is revealed to be Judas Iscariot, this ending is satisfying. Even though their are fangs on the DVD cover, there are none in the movie.

The Disc
Good movie, sound and picture. Fair extras.

Picture Quality: 9/10
Nice transfer. No artifacts or pixilation. Some problems here and there with delineation of light and dark colors. All in all, a very good picture.

Sound Quality: 10/10
I preferred the 5.1 surround sound to the 2.0 stereo, but both are quite good. Lots of crunching and slashing during the film's many battle scenes.

Menu: 7/10
OK design. Nothing special. Easy to navigate.

Extra Features: 5/10
The photo gallery is limited and adds little or nothing to the DVD. The filmographies are extensive. The only extra I really enjoyed were the sneak peeks. I usually rant when a company calls sneak peeks and extra, but that is all this DVD has going for it in the extra department. I liked them because they were for several cool looking horror films.

The Final Word:
Fans of vampire films and Dracula in particular will want this one in the permanent library. It should also appeal to history buffs as it only deals with the supernatural aspects of Dracula in the closing scene. I wish there had been more extras. The USAfilms website has a lot of great stuff including behind the scenes features and interviews about the movie. I don't know why that material wasn't included on the DVD.